{"id":4201,"date":"2021-12-29T15:12:16","date_gmt":"2021-12-29T14:12:16","guid":{"rendered":"https:\/\/igokat.com\/site\/company\/?page_id=4201"},"modified":"2021-12-29T15:14:27","modified_gmt":"2021-12-29T14:14:27","slug":"pasquale-alberico-2","status":"publish","type":"page","link":"https:\/\/igokat.com\/site\/company\/en\/pasquale-alberico-2\/","title":{"rendered":"Pasquale Alberico"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\" style=\"--awb-text-transform:none;\"><p>&nbsp;<\/p>\n<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"western\"><b>Pasquale Alberico<\/b> was born in Marcianise in Italy in 1979. He studied at and received a diploma from the Acad\u00e9mie de Danse de Mara Fusco and perfromed soloist roles with Compagnia del Balletto di Napoli.<\/p>\n<p><b>In September 1998, <\/b>he got into the Redra Bejart school in Lausanne, and a year later he got a contract with B\u00e9jart Ballet Lausanne, where he perofrmed principal roles as the boy in \u00abMandarin Merveilleux\u00bb, Federico Fellini in \u00abCiao Federico\u00bb, and Millionaire Waltz in \u00abBallet For Life\u00bb.<br \/><strong>I<\/strong><b>n 2006,<\/b> he danced as a principal dancer with the Igokat company in \u00abStars of Christmas\u00bb in Mondov\u00ec.<br \/>He danced as a principal for the Saint-Prex festival in 2007 and 2008 as well as for the \u00abOro di Napoli\u00bb Gala in Italy en Italie.<\/p>\n<p><b>In April 2008,<\/b> he worked in collaboration with the choir \u00abElle en C\u00bb as a choreographer and principal dancer.<br \/><strong>In May<\/strong> <b>2008, <\/b>he danced as a principal dancer with the Igokat Comapny \u00abDentro\u00bb.<br \/><strong>In December<\/strong> <strong>2008<\/strong>, he danced as a principal dancer in Lausanne Opera\u2019s production of <i>La Belle H\u00e9l\u00e8ne.<\/i><\/p>\n<p><b>In 2009, <\/b>he danced as principal dancer in \u00abLe 6\u00e8me \u00c9l\u00e9ment\u00bb at the M\u00e9tropole Theatre in Lausanne as well as for the re-opening of the Th\u00e9\u00e2tre du Jorat with \u00abDentro\u00bb. <strong>I<\/strong><b>n 2007 and 2009,<\/b> he was a member of the jury for the pre-selections of Prix de Lausanne.<br \/><b>In November 2009,<\/b> he danced as a principal dancer with the Igokat Company at the Teatro Nuovo de Turin for the second anniversary of the passing of Maurice B\u00e9jart.<\/p>\n<p><b>In March 2010, <\/b>he danced as a principal dancer in \u00abLe 6\u00e8me El\u00e9ment\u00bb for the opening of the Lugano Festival .<br \/><b>In June 2010,<\/b> he danced as a principal dancer with the Igokat Company in \u00abTais-toi et Danse\u00bb at the M\u00e9tropole Theatre in Lausanne.<\/p>\n<p><b>In May, November and December 2011,<\/b> he danced as a principal in \u00abBD \u2013 Ballet Dessin\u00e9\u00bb at the Octogone Theatre in Pully and at the Vevey Theatre.<br \/><b>During 2011, <\/b>he taught at classical ballet courses and classical repatoire for various schools, including at the Villars skating summer camp.<\/p>\n<p><b>In July 2012,<\/b> he danced as a principal dancer with the Igokat Company in the Gala for the opening of the Vignale Danza festival in Italy.<br \/><strong>In November and December<\/strong> <b>2012,<\/b> he danced as a principal with the Igokat Company in \u00abUne Chance, un Sourire\u00bb at l\u2019Espace Culturel des Terreaux in Lausanne and at the Marens Theatre in Nyon.<br \/>With Sarah Frassanito, he choreographed \u00abLe Bon Vieux Temps\u00bb which was presented in the Canton of Neuch\u00e2tel (Switzerland).<\/p>\n<p><b>In October 2013, <\/b>he danced as a principal with the Igokat Company in \u00abGive &amp; Take\u00bb at l\u2019Espace Culturel des Terreaux in Lausanne.<br \/><strong>In December<\/strong> <b>2013, <\/b>he danced as a principal with the Igokat Company in extracts of \u00abGive &amp; Take\u00bb for the re-opening of the Olympic Museum in Lausanne as well as being invited to dance with Julie Lamby for the \u00abVillars On Ice\u00bb Gala near St\u00e9phane Lambiel in Villars.<\/p>\n<p><b>In 2014,<\/b> he was a principal dancer with the Magda Leon Company for their new creation of \u00abCarmina Burana\u00bb at the Chaux-de-Fonds.<br \/><b>In november and December 2014,<\/b> he danced as a principal with the Igokat Company in \u00abVouloir c\u2019est Pouvoir\u00bb at l\u2019Espace Culturel des Terreaux in Lausanne.<br \/><strong>In N<\/strong><b>ovembre 2014,<\/b> he was invited to dance as a principal with Julie Lamby for the gala at the Kempinski Hotel in Geneva.<\/p>\n<p class=\"Standard\"><strong>In October and November 2015,<\/strong> he was principal dancer with the Igokat Company in \u201cdansebook\u201d at the Espace Culturel des Terreaux in Lausanne.<\/p>\n<p class=\"Standard\"><strong>Since 2016,<\/strong> he has been a Youth Monitor for \u201cYouth and Sport\u201d Switzerland in the Gymnastics and Dance section.<\/p>\n<p class=\"Standard\"><strong>In January 2016,<\/strong> he was principal dancer with the Compagnie Igokat in \u201cdansebook\u201d at the Th\u00e9\u00e2tre de Colombier in Neuch\u00e2tel.<\/p>\n<p class=\"Standard\"><strong>In November 2016,<\/strong> he was the principal dancer with the Igokat Company in \u201cRomeo seeks Juliet\u201d at the Espace Culturel des Terreaux in Lausanne.<\/p>\n<p class=\"Standard\"><strong>In November 2017,<\/strong> he was principal dancer with the Igokat Company in \u201cPetrouchka le Clown\u201d at the Espace Culturel des Terreaux in Lausanne.<\/p>\n<p class=\"Standard\"><strong>In November and December 2018,<\/strong> he was principal dancer with the Igokat Company in \u201cIl Maestro Vivaldi\u201d at the Espace Culturel des Terreaux in Lausanne.<\/p>\n<p class=\"Standard\"><strong>In March 2020,<\/strong> he is principal dancer with the Igokat Company in &#8220;The Wall&#8221; at the Espace Culturel des Terreaux in Lausanne.<\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduction\"><span class=\"Y2IQFc\" lang=\"en\"><strong>In October 2021,<\/strong> he was principal dancer with the Igokat Company in &#8220;L\u2019Hymne \u00e0 la Joie&#8221; at the Espace Culturel des Terreaux in Lausanne.<\/span><\/p>\n<p class=\"Standard\"><strong>He is currently a teacher at the Igokat Dance Academy as well as in various schools in Switzerland, principal dancer with the Igokat Company and freelance dancer.<\/strong><\/p>\n<\/blockquote>\n<\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-4201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/pages\/4201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/comments?post=4201"}],"version-history":[{"count":2,"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/pages\/4201\/revisions"}],"predecessor-version":[{"id":4203,"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/pages\/4201\/revisions\/4203"}],"wp:attachment":[{"href":"https:\/\/igokat.com\/site\/company\/wp-json\/wp\/v2\/media?parent=4201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}