{"id":10058,"date":"2025-12-28T18:45:37","date_gmt":"2025-12-28T17:45:37","guid":{"rendered":"https:\/\/igokat.com\/site\/?page_id=10058"},"modified":"2026-03-30T17:38:43","modified_gmt":"2026-03-30T15:38:43","slug":"peter-pan-in-2026","status":"publish","type":"page","link":"https:\/\/igokat.com\/site\/en\/peter-pan-in-2026\/","title":{"rendered":"Peter Pan in 2026"},"content":{"rendered":"
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PETER PAN in 2026<\/h1><\/div>
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Choregraphies<\/h2><\/div>

Igor Piovano, Kathryn Bradney<\/p>\n

at the Centre Culturel des Terreaux Lausanne<\/strong><\/p>\n

The 12, 13, 14, 19, 20 and 21 of June 2026<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div>

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Casting<\/h2>Casting<\/div><\/div>
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Casting “Peter Pan en 2026”

Click here<\/span><\/a><\/div>\r\n<\/div><\/div><\/div><\/div><\/div>
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Rehearsals<\/h2>Rehearsals<\/div><\/div>
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Next rehearsal on April 25

Online soon<\/span><\/a><\/div>\r\n<\/div><\/div><\/div><\/div><\/div>
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Registration form<\/h2>Registration form<\/div><\/div>
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Registration form “Peter Pan in 2026”

Click here<\/span><\/a><\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
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There are evenings<\/strong> when the ordinary world slowly fades, giving way to the realm of imagination.<\/p>\n

That Friday,<\/strong> Peter Pan returns to where it all began, in the Darling children\u2019s bedroom, in search of his shadow\u2014a lost fragment of himself, a symbol of the identity he refuses to anchor in reality.<\/p>\n

The parents are away,<\/strong> trusting, leaving their children in the tender care of Nana, a dog with a maternal gaze. Wendy, John, and Michael, still innocent, watch this strange visitor who emerges between light and silence, followed by a procession of rebellious shadows.<\/p>\n

It is the moment<\/strong> when childhood meets the uncanny, the suspended instant between dream and awakening.<\/p>\n

Peter Pan is not alone.<\/strong><\/p>\n

By his side,<\/strong> Tinker Bell, the embodiment of the fleeting moment, of raw emotion, of fragile jealousy, urges him to return to Neverland\u2014a borderless, timeless realm where one never grows up.<\/p>\n

Guided by her desire for stories,<\/strong> discoveries, and adventures, Wendy chooses to follow him, bringing her brothers into this parallel world, where learning comes not through lessons, but through experience.<\/p>\n

There, the Lost Boys search for a mother,<\/strong> the mermaids sing a dangerous beauty, and the Indians dance with nature.<\/p>\n

Yet above all hovers<\/strong> the threat of Captain Hook, the embodiment of vengeful time, wounded past, and the frozen adult.<\/p>\n

He pursues Peter,<\/strong> not to defeat him, but to understand what he lost in growing up.<\/p>\n

And then, there is the crocodile.<\/strong><\/p>\n

It follows Captain Hook<\/strong> with the slow inevitability of a truth long avoided.<\/p>\n

It is what we push away,<\/strong> what we flee from, what always catches up to us in the end.<\/p>\n

It once took his hand,<\/strong> and since then, it embodies that part of us that never fully heals from loss, fear, and the scars of the past.<\/p>\n

The crocodile does not hunt.<\/strong><\/p>\n

It waits.<\/strong><\/p>\n

It persists.<\/strong><\/p>\n

It knows.<\/strong><\/p>\n

And in its silence,<\/strong> it reminds everyone that nothing can be erased\u2014only endured.<\/p>\n

When Captain Hook<\/strong> captures Lily the Tigress, Peter must choose: flee or confront.<\/p>\n

And it is aboard the Jolly Roger,<\/strong> the ship of memories and fears, that the final confrontation unfolds.<\/p>\n

Peter triumphs, of course.<\/strong><\/p>\n

But in an unexpected gesture<\/strong> of wisdom, he extends his hand to Hook.<\/p>\n

Not out of pity,<\/strong> but because deep down, Peter knows that true courage is not in refusing to grow up, but in keeping the light of childhood intact as one grows.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-10058","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages\/10058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/comments?post=10058"}],"version-history":[{"count":18,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages\/10058\/revisions"}],"predecessor-version":[{"id":10384,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages\/10058\/revisions\/10384"}],"wp:attachment":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/media?parent=10058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}