{"id":9502,"date":"2025-07-13T18:33:14","date_gmt":"2025-07-13T16:33:14","guid":{"rendered":"https:\/\/igokat.com\/site\/?page_id=9502"},"modified":"2025-07-13T20:03:36","modified_gmt":"2025-07-13T18:03:36","slug":"francisco-javier-casado-suarez","status":"publish","type":"page","link":"https:\/\/igokat.com\/site\/francisco-javier-casado-suarez\/","title":{"rendered":"Javier Casado Suarez"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><blockquote class=\"wp-block-quote\">\n<p><em><strong>Francisco Javier Casado Su\u00e1rez <\/strong><\/em><b><\/b>est n\u00e9 \u00e0 Cadix en Espagne.<\/p>\n<p><strong>C\u2019est l\u00e0 qu\u2019il d\u00e9couvre<\/strong> la danse classique au sein de l\u2019acad\u00e9mie et compagnie de danse <em>Flick Flock Danza<\/em> dirig\u00e9e par Susana Alc\u00f3n Blanes en 2004.<br>\nL\u2019\u00e9cole est sp\u00e9cifiquement r\u00e9put\u00e9e pour son travail en danse inclusive et ses cr\u00e9ations chor\u00e9graphiques incluant des personnes en situation d\u2019invalidit\u00e9 physique et psychique.<br>\nIl participe aux cr\u00e9ations de la compagnie \u00e0 l\u2019occasion du Festival O.R.P.H.E.E. au Th\u00e9\u00e2tre Montansier \u00e0 Versailles, ainsi qu\u2019au Festival Dos Orillas au Th\u00e9\u00e2tre Mohamed V \u00e0 Rabat.<\/p>\n<p><strong>En 2010,<\/strong> \u00e0 l\u2019\u00e2ge de 18 ans, il int\u00e8gre l\u2019\u00c9cole-Atelier Rudra B\u00e9jart, dirig\u00e9e alors par Michel Gascard.<\/p>\n<p><strong>En 2012,<\/strong> sous l\u2019impulsion d\u2019Azari Plisetski et l\u2019invitation de Gil Roman, il rejoint le B\u00e9jart Ballet Lausanne et son r\u00e9pertoire. C\u2019est au sein de cette prestigieuse et c\u00e9l\u00e8bre compagnie de danse qu\u2019il a l\u2019opportunit\u00e9 d\u2019interpr\u00e9ter plusieurs r\u00f4les du r\u00e9pertoire de Maurice B\u00e9jart tels que Sarastro dans <em>La fl\u00fbte enchant\u00e9e<\/em>, le Clown dans le ballet <em>Piaf<\/em>, Brel et l\u2019aigle noir dans <em>Brel et Barbara<\/em> ou encore le couple du concerto pour piano 21 de Mozart dans le cultissime <em>Ballet for Life<\/em>.<\/p>\n<p><strong>D\u2019autre part,<\/strong> il participe aussi \u00e0 la cr\u00e9ation du nouveau r\u00e9pertoire de la compagnie en dansant dans les chor\u00e9graphies de Gil Roman, de Joost Vrouwenraets, de Giorgio Madia, de Yuka Oishi et d\u2019autres.<\/p>\n<p><strong>Entre-temps,<\/strong> Javier s\u2019int\u00e9resse \u00e0 la transmission et organise des stages et donne des cours priv\u00e9s de danse pour partager son exp\u00e9rience. En 2023, il participe \u00e0 la formation du dipl\u00f4me d\u2019\u00c9tat de professeur de danse dans les locaux du Centre National de la Danse de Pantin.<\/p>\n<p><strong>En 2023<\/strong> il est engag\u00e9 \u00e0 l\u2019AFJD.<\/p>\n<p><strong><em>Il est actuellement professeur de danse classique pour les adultes \u00e0 l\u2019Acad\u00e9mie de Danse Igokat.<\/em><\/strong><\/p>\n<p><em> <\/em><\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div><!-- \/wp:post-content -->","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-9502","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages\/9502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/comments?post=9502"}],"version-history":[{"count":5,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages\/9502\/revisions"}],"predecessor-version":[{"id":9528,"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/pages\/9502\/revisions\/9528"}],"wp:attachment":[{"href":"https:\/\/igokat.com\/site\/wp-json\/wp\/v2\/media?parent=9502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}