PETER PAN in 2026
Choregraphies
Igor Piovano, Kathryn Bradney
at the Centre Culturel des Terreaux Lausanne
The 12, 13, 14, 19, 20 and 21 of June 2026
There are evenings when the ordinary world slowly fades, giving way to the realm of imagination.
That Friday, Peter Pan returns to where it all began, in the Darling children’s bedroom, in search of his shadow—a lost fragment of himself, a symbol of the identity he refuses to anchor in reality.
The parents are away, trusting, leaving their children in the tender care of Nana, a dog with a maternal gaze. Wendy, John, and Michael, still innocent, watch this strange visitor who emerges between light and silence, followed by a procession of rebellious shadows.
It is the moment when childhood meets the uncanny, the suspended instant between dream and awakening.
Peter Pan is not alone.
By his side, Tinker Bell, the embodiment of the fleeting moment, of raw emotion, of fragile jealousy, urges him to return to Neverland—a borderless, timeless realm where one never grows up.
Guided by her desire for stories, discoveries, and adventures, Wendy chooses to follow him, bringing her brothers into this parallel world, where learning comes not through lessons, but through experience.
There, the Lost Boys search for a mother, the mermaids sing a dangerous beauty, and the Indians dance with nature.
Yet above all hovers the threat of Captain Hook, the embodiment of vengeful time, wounded past, and the frozen adult.
He pursues Peter, not to defeat him, but to understand what he lost in growing up.
And then, there is the crocodile.
It follows Captain Hook with the slow inevitability of a truth long avoided.
It is what we push away, what we flee from, what always catches up to us in the end.
It once took his hand, and since then, it embodies that part of us that never fully heals from loss, fear, and the scars of the past.
The crocodile does not hunt.
It waits.
It persists.
It knows.
And in its silence, it reminds everyone that nothing can be erased—only endured.
When Captain Hook captures Lily the Tigress, Peter must choose: flee or confront.
And it is aboard the Jolly Roger, the ship of memories and fears, that the final confrontation unfolds.
Peter triumphs, of course.
But in an unexpected gesture of wisdom, he extends his hand to Hook.
Not out of pity, but because deep down, Peter knows that true courage is not in refusing to grow up, but in keeping the light of childhood intact as one grows.
